Steven Paige and Michael Donnelly researched the mechanics of artistic practice; how this can be made decipherable and real and how this shapes new work that might be produced. Four different artists had been invited into the Gallery, one each day.

The street level window was utilised by filling the gallery at night with the results of the research, accessible to passers-by playfully using the forensic associations of ultra violet light to illuminate the way that artists think, plan and make work